↑ ۱٫۰۱٫۱۱٫۲۱٫۳۱٫۴In many of the dialects that have an apicalrhotic consonant, a recursive sandhi process of retroflexion occurs, and clusters of /r/ and dental consonants /rd/, /rl/, /rn/, /rs/, /rt/ produce retroflex consonant realisations: [ɖ], [ɭ], [ɳ], [ʂ], [ʈ]. In dialects with a guttural R, such as Southern Swedish, they are [ʁd], [ʁl], [ʁn], [ʁs], [ʁt]. In Finland Swedish, retroflexion might only occur in some varieties, especially among young speakers and in fast speech.
↑Sweden Swedish /ɧ/ varies regionally and is sometimes [xʷ], [ɸˠ], or [ʂ].
↑/r/ varies considerably in different dialects: it is pronounced alveolar or similarly (a trilledr when articulated clearly or in slow or formal speech; in normal speech, usually a tappedr or an alveolar approximant) in virtually all dialects (most consistently [r] in Finland), but in South Swedish dialects, it is uvular, similar to the Parisian French r. At the beginning of a syllable, it can also be pronounced as a fricative [ʐ], similar to in English genre or vision.
↑ ۴٫۰۴٫۱۴٫۲۴٫۳Before /r/, the quality of non-high front vowels is changed: the unrounded vowels /ɛ/ and /ɛː/ are lowered to [æ] and [æː] (except certain instances of unstressed /ɛ/), whereas the rounded /œ/ ([œ˔]) and /øː/ are lowered to open-mid [œ] and [œː]. For simplicity, no distinction is made between the mid [œ˔] and the open-mid [œ], with both being transcribed as ⟨œ⟩. Note that younger speakers use lower allophones [ɶ] (which they tend to merge with /ɵ/ into [ɵ]) and [ɶː].
↑ ۶٫۰۶٫۱[ɵ] and [ʉ] are the Sweden Swedish unstressed allophones of a single phoneme /ɵ/ (stressed /ɵ/ is always realized as [ɵ]):
[ɵ] is used in all closed syllables (as in kultur[kɵlˈtʉːr]) but also in some open syllables, as in musikal[mɵsɪˈkɑːl]. Some cases involve resyllabification caused by retroflexion, which makes the syllable open, as in kurtisan[kɵʈɪˈsɑːn].
[ʉ] appears only in open syllables. In some cases, [ʉ] is the only possible realization, as in känguru[ˈɕɛ̌ŋːɡʉrʉ], or when /ɵ/ appears in hiatus, as in duell[dʉˈɛlː].
In other cases, [ɵ] is in free variation with [ʉ] so musik can be pronounced as [mɵˈsiːk] or [mʉˈsiːk] (Riad 2014:28–9). For simplicity, only ⟨ɵ⟩ will be used.
↑ ۷٫۰۷٫۱The distinction between compressed [ʉ] and protruded [ʏ] is particularly difficult to hear for non-native speakers:
Sweden Swedish compressed [ʉ] sounds very close to German compressed [ʏ] (as in müssen[ˈmʏsn̩]);
Sweden Swedish protruded [ʏ] sounds more similar to English unrounded [ɪ] (as in hit) than to German compressed [ʏ], and it is very close to Norwegian protruded [ʏ] (as in nytt تلفظ [nʏtː]).
↑ ۸٫۰۸٫۱The distinction between compressed [ʉː] and protruded [yː] is particularly difficult to hear for non-native speakers:
Sweden Swedish compressed [ʉː] sounds very close to German compressed [yː] (as in üben[ˈyːbn̩]);
Sweden Swedish protruded [yː] sounds more similar to English unrounded [iː] (as in leave) than to German compressed [yː], and it is very close to Norwegian protruded [yː] (as in lys تلفظ [lyːs]).
↑ ۹٫۰۹٫۱Finland Swedish, as well as a few accents of Mainland Sweden, have a simple primary stress (transcribed as ⟨ˈ⟩) rather than a contrastive pitch accent. In such accents, a word like anden is always pronounced as [ˈɑnːden] regardless of its meaning. The variety of Swedish spoken in Åland usually resembles phonetically speaking the dialects of the Uppland area rather than other Finland Swedish varieties, but the pitch accent is still largely missing.
↑Consonants always tend to geminate after a stressed short vowel in Sweden Swedish. In Finland, this is not always true and between vowels usually only happens when the short vowel is followed by an orthographic geminate.
[kɵlˈtʉːr] ) but also in some open syllables, as in musikal [mɵsɪˈkɑːl]. Some cases involve resyllabification caused by retroflexion, which makes the syllable open, as in kurtisan [kɵʈɪˈsɑːn].