English: Since the 16th century, a figure blowing bubbles has served as an allegory for the vice of vanity. A schoolboy slouches on a chair beside his unopened books as bubbles drift overhead. The note tucked in the broken glass reads: "Le Parasseux indigne de vivre" (the lazy one unworthy of living). The soap bubbles and the crumbling wall suggest the fleeting nature of time, and the laurel wreath symbolizes glory ignored. Rejecting prevailing academic traditions, Couture developed a highly personal technique involving bright colors and expressive paint textures, which was based on his studies of Venetian works in the Louvre Museum. He frequently depicted contemporary subjects but filled them with moral overtones. An influential teacher, Couture trained such artists as Edouard Manet, Puvis de Chavannes, Mary Cassatt, and Eastman Johnson.
Triumph of French Painting: Masterpieces from Ingres to Matisse. Baltimore Museum of Art, Baltimore; Philbrook Museum of Art, Tulsa; Norton Museum of Art, West Palm Beach; Royal Academy of Arts, London; Albright-Knox Art Gallery, Buffalo; Dayton Art Institute, Dayton. 2000-2002. A Magnificent Age: Masterpieces from the Walters Art Museum, Baltimore. The Nelson-Atkins Museum of Art, Kansas City; Mint Museum of Art, Charlotte; The Walters Art Museum, Baltimore. 2002-2004. Before Monet: Landscape Painting in France and Impressionist Masters: Highlights from The Walters Collection. The Walters Art Gallery, Baltimore. 1998.
این اثر آزاد است، و هر کسی و به هر منظوری میتواند از آن استفاده کند. برای استفاده از این اثر لازم نیست از کسی اجازه بگیرید، به شرط آنکه ملزومات اجازهنامه را که در همین صفحه ذکر شده است، رعایت کنید.
ویکیمدیا ایمیلی مبنی بر موافقت صاحب کپیرایت با انتشار اثر، تحت شرایط ذکرشده در همین صفحه دریافت کرده است. مکاتبه توسط یکی از اعضای تیم پشتیبانیبررسی شده و در بایگانی اجازهنامهها ثبت و ضبط شده است. مکاتبه با شمارهٔ بلیت 2012021710000834 در دسترس داوطلبان مورد اعتماد است.
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این اثر در کشورهایی و مناطقی که مدت زمان حق تکثیر، عمر پدیدآورنده بعلاوهٔ ۱۰۰ سال یا کمتر بعد از مرگ او است، در مالکیت عمومی قرار دارد.
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این اثر توسط پدیدآور آن، Walters Art Museum، به مالکیت عمومی درآمده است. این مربوط به تمام جهان است. در برخی از کشورها ممکن است به صورت قانونی این امکانپذیر نباشد؛ اگر چنین است: Walters Art Museum به هر کسی اجازهٔ استفاده از این اثر برای هر مقصودی، بدون هیچگونه شرایطی، را میدهد تا وقتی که این شرایط توسط قانون مستلزم نشده باشند.
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