صورتزخمی (فیلم ۱۹۳۲): تفاوت میان نسخهها
محتوای حذفشده محتوای افزودهشده
ایجاد چارچوب (د. ک. ۲.۲) |
←منابع: افزودن منابع |
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* {{Cite journal|date=2021-09-20|title=Scarface (1932 film)|url=https://en.wikipedia.org/w/index.php?title=Scarface_(1932_film)&oldid=1041638932|journal=Wikipedia|language=en}} |
* {{Cite journal|date=2021-09-20|title=Scarface (1932 film)|url=https://en.wikipedia.org/w/index.php?title=Scarface_(1932_film)&oldid=1041638932|journal=Wikipedia|language=en}} |
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*{{cite book |first=Everett |last=Aaker |title=The Films of George Raft |publisher=McFarland & Company |year=2013 |page=24 }} |
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*{{cite book |last1=Ashbrook |first1=William |title=Donizetti |date=1965 |publisher=Cassell & Company |location=London}} |
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*{{cite book |last1=Balio |first1=Tino |title=United Artists: The Company Built by the Stars |date=2009 |publisher=University of Wisconsin Press |location=Madison |isbn=9780299230043 |page=111}} |
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*{{cite book |last1=Barlett |first1=Donald L. |last2=Steele |first2=James B. |title=Howard Hughes: His Life & Madness |date=1979 |publisher=W.W. Norton & Company |location=New York |isbn=0393326020 |url=https://books.google.com/books?id=ivZGrgLszbcC&q=howard+hawks+and+howard+hughes+suing+lawsuit&pg=PA73 |access-date=October 31, 2018}} |
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*{{cite book |last1=Benyahia |first1=Sarah Casey |title=Crime |date=2012 |publisher=Routledge |location=Abingdon, Oxon |isbn=9780415581417}} |
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*{{cite book|last1=Bergreen|first1=Laurence|title=Capone: The Man and the Era|url=https://archive.org/details/caponemanera00berg|url-access=registration|date=1994|publisher=Simon & Schuster|location=New York|isbn=978-0671744564|page=[https://archive.org/details/caponemanera00berg/page/49 49]}} |
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*{{cite book |last1=Black |first1=Gregory D. |title=Hollywood Censored: Morality Codes, Catholics, and the Movies |date=1994 |publisher=Cambridge University Press |location=Cambridge, UK |isbn=978-0521452991 |page=126|url=https://books.google.com/booksid=ybKqnNNR7hwC&pg=PA126&lpg=PA126&dq=%22Screw+the+Hays+Office,+make+it+as+realistic,+and+grisly+as+possible.&source=bl&ots=qyRKQs3_W6&sig=jQeQrZsqiNctwGVBdvUEAZf2AhU&hl=en&sa=X&ved=0ahUKEwjJ8p3yzufbAhVJs1QKHSOLAYAQ6AEIMjAC#v=onepage&q=%22Screw%20the%20Hays%20Office%2C%20make%20it%20as%20realistic%2C%20and%20grisly%20as%20possible.&f=false |access-date=June 22, 2018}} |
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*{{cite book |last1=Bojarski |first1=Richard |last2=Beale |first2=Kenneth |title=The Films of Boris Karloff |date=1974 |publisher=The Citadel Press |location=Secaucus, New Jersey |isbn=0806503963}} |
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*{{cite book|last1=Bookbinder|first1=Robert|title=Classic Gangster Films|date=1985|publisher=Citadel Press|location=New York|isbn=978-0806514673|pages=21–24}} |
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*{{cite book |editor1-last=Brookes |editor1-first=Ian |title=Howard Hawks: New Perspectives |date=2016 |publisher=Palgrave |location=London |isbn=9781844575411}} |
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*{{cite book |last1=Brown |first1=Peter Harry |last2=Broeske |first2=Pat H. |title=Howard Hughes: The Untold Story |date=1996 |publisher=Dutton |location=New York |isbn=0525937854}} |
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*{{cite book|last1=Clarens|first1=Carlos|title=Crime Movies: From Griffith to the Godfather and Beyond|date=1980|publisher=George J. McLeod Ltd.|location=Toronto|isbn=978-0393009408|url-access=registration|url=https://archive.org/details/crimemoviesfromg00clar}} |
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*{{cite book |last1=Danks |first1=Adrian |editor1-last=Brookes |editor1-first=Ian |title=Howard Hawks: New Perspectives |date=2016 |publisher=Palgrave |location=London |isbn=9781844575411 |page=46 |chapter='Ain't There Anyone Here for Love?' Space, Place and Community in the Cinema of Howard Hawks}} |
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*{{cite book |last1=Doherty |first1=Thomas |title=Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930-1934 |url=https://archive.org/details/precodehollywood0000dohe |url-access=registration |date=1999 |publisher=Columbia University Press |location=New York |isbn=978-0231110945}} |
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*{{cite book |last1=Eagan |first1=Daniel |title=America's Film Legacy: The Authoritative Guide to the Landmark Movies in the National Film Registry |date=2010 |publisher=Continuum |location=New York |isbn=9780826418494 |page=[https://archive.org/details/americasfilmlega0000eaga/page/192 192] |url=https://archive.org/details/americasfilmlega0000eaga |url-access=registration |quote=Harry J. Vejar scarface. |access-date=July 26, 2018}} |
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*{{cite book |last1=Fetherling |first1=Doug |title=The Five Lives of Ben Hecht |date=1977 |publisher=Lester and Orpen Limited |isbn=978-0919630857}} |
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*{{cite book |last1=Godard |first1=Jean Luc |title=Godard on Godard: Critical Writings |date=1972 |publisher=Viking Press |location=New York |isbn=0670342777}} |
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*{{cite book |editor1-last=Grieveson |editor1-first=Lee |editor2-last=Sonnet |editor2-first=Esther |editor3-last=Stanfield |editor3-first=Peter |title=Mob Culture: Hidden Histories of the American Gangster Film |date=2005 |publisher=Rutgers University Press |location=New Brunswick, NJ |isbn=978-0813535562}} |
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*{{cite journal |last1=Grønstad |first1=Asbjørn |title=Mean Streets: Death and Disfiguration in Hawks's 'Scarface' |journal=Nordic Journal of English Studies |date=2003 |volume=2 |issue=2 |page=385 |doi=10.35360/njes.143 |citeseerx=10.1.1.524.2093 }} |
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*{{cite book |last1=Guerif |first1=Francois |title=Le Film Noir Americain |date=1979 |publisher=Editions Henri Veyrier |location=Artigues-pres-Bordeaux |isbn=978-2851992062 |pages=48–52}} |
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*{{cite book |last1=Gunter |first1=Barrie |title=Predicting Movie Success at the Box Office |date=2018 |publisher=Palgrave Macmillan |location=Cham, Switzerland |isbn=9783319718033 |url=https://books.google.com/books?id=SjtNDwAAQBAJ&q=remade+films+are+usually+worse+than+the+original&pg=PA171 |access-date=June 21, 2019}} |
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*{{cite journal|last1=Hagemann|first1=E.R.|title=Scarface: The Art of Hollywood, Not "The Shame of a Nation"|journal=The Journal of Popular Culture|date=1984|volume=18|issue=Summer|pages=30–40|doi=10.1111/j.0022-3840.1984.1801_30.x}} |
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*{{cite book|last1=Hagen|first1=Ray|last2=Wagner|first2=Laura|title=Killer Tomatoes: Fifteen Tough Film Dames|date=2004|publisher=McFarland & Company, Inc.|location=Jefferson, North Carolina|isbn=9780786418831|page=52|url=https://books.google.com/books?id=W63KwX1QtBAC&q=cesca++wreck+of+the+old+97&pg=PA52}} |
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*{{cite book|last1=Hecht|first1=Ben|title=A Child of the Century|url=https://archive.org/details/childofcentury0000hech|url-access=registration|date=1954|publisher=Simon and Schuster|location=New York|pages=[https://archive.org/details/childofcentury0000hech/page/486 486]–487}} |
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*{{cite book |last1=Hossent |first1=Harry |title=The Movie Treasury Gangster Movies: Gangsters, Hoodlums and Tough Guys of the Screen |date=1974 |publisher=Octopus Books Limited |location=London |isbn=978-0706403701 |url-access=registration |url=https://archive.org/details/gangstermoviesga0000hoss }} |
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*{{cite journal |last1=Keating |first1=Carla Mereu |title='The Italian Color': Race, Crime Iconography and Dubbing Conventions in the Italian-language Versions of "Scarface" (1932) |journal=Altre Modernita |volume=0 |date=2016 |issue=Ideological Manipulation in Audiovisual Translation |pages=107–123 |url=https://riviste.unimi.it/index.php/AMonline/article/view/6851/6791}} |
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*{{cite book|last1=Langman|first1=Larry|last2=Finn|first2=Daniel|title=A Guide to American Crime Films of the Thirties|date=1995|publisher=Greenwood Press|location=Westport, CT|isbn=978-0313295324|pages=227–228}} |
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*{{Cite book |last=MacAdams |first=William |title=Ben Hecht: The man behind the legend |publisher=Scribner |year=1990 |page=[https://archive.org/details/benhechtmanbehin00maca/page/128 128] |isbn=978-0-684-18980-2 |url=https://archive.org/details/benhechtmanbehin00maca/page/128 }} |
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*{{cite book |last1=Martin |first1=Jeffrey Brown |title=Ben Hecht: Hollywood Screenwriter |date=1985 |publisher=UMI Research Press |location=Ann Arbor, Michigan |isbn=978-0835715713}} |
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*{{cite book|last1=Mason|first1=Fran|title=American Gangster Cinema: From ''Little Caesar'' to ''Pulp Fiction''|date=2002|publisher=Palgrave Macmillan|location=New York|isbn=978-0333674529}} |
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*{{cite book |last1=Mast |first1=Gerald |title=Howard Hawks, storyteller |url=https://archive.org/details/howardhawksstory0000mast |url-access=registration |date=1982 |publisher=Oxford University Press |location=New York |isbn=0195030915}} |
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*{{cite journal |last1=Mate |first1=Ken |last2=McGilligan |first2=Pat |last3=White |first3=Dennis L. |title=Burnett |journal=Film Comment |date=1983 |volume=19 |issue=1 |id={{ProQuest|195362394}} }} |
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*{{cite book |last1=McCarthy |first1=Todd |title=Howard Hawks: The Grey Fox of Hollywood |date=1997 |publisher=Grove Press |location=New York |isbn=0802137407 |url=https://books.google.com/books?id=JEvgRkHdEjkC&q=ben+hecht+met+al+capone&pg=PA132 |access-date=October 31, 2018}} |
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*{{cite book |last1=McCarty |first1=John |title=Hollywood Gangland: The Movies' Love Affair with the Mob |date=1993 |publisher=St. Martin's Press |location=New York |isbn=978-0312093068}} |
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*{{cite journal |last1=McElhaney |first1=Joe |title=Howard Hawks: American Gesture |journal=Journal of Film and Video |date=Spring–Summer 2006 |volume=58 |issue=1–2 |pages=31–45 |id={{ProQuest|2170419}} }} |
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*{{cite book |last1=Neale |first1=Steve |editor1-last=Brookes |editor1-first=Ian |title=Howard Hawks: New Perspectives |date=2016 |publisher=Palgrave |location=London |isbn=9781844575411 |page=110 |chapter=Gestures, Movements and Actions in Rio Bravo}} |
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*{{cite book |last1=Parish |first1=James Robert |last2=Pitts |first2=Michael R. |editor1-last=Taylor |editor1-first=T. Allan |title=The Great Gangster Pictures |date=1976 |publisher=The Scarecrow Press, Inc. |location=Metuchen, NJ |isbn=978-0810808812 |page=347}} |
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*{{cite journal |last1=Pauly |first1=Thomas H. |title=Film: What's Happened to the Western Movie? |journal=Western Humanities Review |date=1974 |volume=38 |issue=3 |id={{ProQuest|1291779855}} }} |
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*{{cite book|last1=Phillips|first1=Gene D.|title=Major Film Directors of the American and British Cinema|date=1999|publisher=Associated University Presses|isbn=978-0934223591|page=46|edition=Revised|url=https://books.google.com/books?id=cVFly8avlXIC&q=bowling+pin&pg=PA46|access-date=May 24, 2018}} |
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*{{cite book|last1=Rice|first1=Christina|title=Ann Dvorak: Hollywood's Forgotten Rebel|date=2013|publisher=The University Press of Kentucky|location=Lexington, KT|isbn=9780813144269|url=https://archive.org/details/isbn_9780813144269}} |
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*{{cite journal |last1=Roberts |first1=Marilyn |title=Scarface, The Great Gatsby, and the American Dream |journal=Literature/Film Quarterly |date=2006 |volume=34 |issue=1 |id={{ProQuest|226996909}} }} |
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*{{cite book |last1=Server |first1=Lee |title=Encyclopedia of Pulp Fiction Writers |date=2002 |publisher=Checkmark Books |location=New York |isbn=978-0816045778 |pages=258–259 }} |
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*{{cite book |editor1-last=Silver |editor1-first=Alain |editor2-last=Ursini |editor2-first=James |title=Gangster Film Reader |date=2007 |publisher=Limelight Editions |location=Pompton Plains, New Jersey |isbn=9780879103323 |page=261 |url=https://books.google.com/books?id=oaXVnAE6lbkC&q=%22scarface%22+%221932%22&pg=PR7 |access-date=August 9, 2018}} |
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*{{cite book |last1=Slowik |first1=Michael |title=After the Silents: Hollywood Film Music in the Early Sound Era, 1926–1934 |date=2014 |publisher=Columbia University Press |location=New York |isbn=9780231535502 |page=229 |url=https://books.google.com/books?id=OfrpBAAAQBAJ&q=+scarface+1932&pg=PA229 |access-date=August 3, 2018}} |
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*{{cite book |last1=Smith |first1=Jim |title=Gangster Films |date=2004 |publisher=Virgin Books |location=London |isbn=978-0753508381}} |
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*{{cite book |last1=Smyth |first1=J.E. |title=Reconstructing American Historical Cinema: From Cimarron to Citizen Kane |date=2006 |publisher=The University Press of Kentucky |location=Lexington, Kentucky |isbn=9780813124063 |url=https://archive.org/details/reconstructingam00smyt_0 }} |
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*{{cite journal |last1=Smyth |first1=J.E. |title=Revisioning modern American history in the age of "Scarface" (1932) |journal=Historical Journal of Film, Radio and Television |date=2004 |volume=24 |issue=4 |pages=535–563 |doi=10.1080/0143968042000293865 |s2cid=191492240 }} |
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*{{cite journal |last1=Springhall |first1=John |title=Censoring Hollywood: Youth, moral panic and crime/gangster movies of the 1930s |journal=The Journal of Popular Culture|volume=32|issue=3 |pages=135–154 |date=2004|doi=10.1111/j.0022-3840.1998.3203_135.x }} |
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*{{cite book|last1=Thomas|first1=Tony|title=Howard Hughes in Hollywood|url=https://archive.org/details/howardhughesinho0000thom|url-access=registration|date=1985|publisher=Citadel Press|location=Secaucus, NJ|isbn=978-0806509709}} |
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*{{cite book |last1=Vasey |first1=Ruth |editor1-last=Couvares |editor1-first=Francis G. |title=Movie Censorship and American Culture |date=1996 |publisher=Smithsonian Institution Press |location=Washington & London |isbn=978-1560986683 |chapter=Foreign Parts: Hollywood's Global Distribution and the Representative of Ethnicity |chapter-url=https://archive.org/details/moviecensorshipa0000unse |url-access=registration |url=https://archive.org/details/moviecensorshipa0000unse }} |
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*{{cite book |last1=Vaughn |first1=Stephen |title=Freedom and Entertainment: Rating the Movies in an Age of New Media |date=2006 |publisher=Cambridge University Press |location=New York |isbn=0521676541 |url=https://archive.org/details/freedomentertain0000vaug |url-access=registration |page=[https://archive.org/details/freedomentertain0000vaug/page/111 111] |quote=scarface 1983 critically acclaimed. |access-date=June 21, 2019}} |
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*{{cite book |last1=Vieria |first1=Mark A. |title=Sin in Soft Focus: Pre-Code Hollywood |date=2003 |publisher=Harry N. Abrams |isbn=9780810982284}} |
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*{{cite book |last1=Wallace |first1=Stone |title=George Raft - The Man Who Would Be Bogart |date=2015 |publisher=BearManor Media |location=Albany, Georgia |isbn=9781593931230 |url=https://books.google.com/books?id=meglCgAAQBAJ&q=+jack+mcgurn+scarface+1932&pg=PT52 |access-date=October 26, 2018}} |
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*{{cite journal|last1=Warshow|first1=Robert|title=Movie Chronicle: The Westerner|journal=Partisan Review|date=March–April 1954|volume=21|issue=2|page=191|url=http://www.bu.edu/partisanreview/books/PR1954V21N2/HTML/files/assets/basic-html/index.html#129|access-date=May 24, 2018}} |
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*{{cite book |last1=Yablonsky |first1=Lewis |title=George Raft |date=1974 |publisher=McGraw-Hill Book Company |isbn=978-0070722354}} |
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*{{cite journal |last1=Yogerst |first1=Chris |title=Hughes, Hawks, and Hays: The Monumental Censorship Battle Over Scarface (1932) |journal=The Journal of American Culture |date=June 20, 2017 |volume=40 |issue=2 |pages=134–144|doi=10.1111/jacc.12710 }} |
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{{پایان چپچین}} |
{{پایان چپچین}} |
نسخهٔ ۲۰ سپتامبر ۲۰۲۱، ساعت ۱۶:۲۹
این مقاله یا بخشی از آن تحت نگارش، توسعه یا بازنویسی گسترده قرار دارد. از کمک شما در ویرایش و نگارش آن استقبال میکنیم؛ خوش آمدید. اگر این مقاله یا بخش چندین روز است که ویرایش نشده، لطفاً این الگو را حذف کنید. اگر خودتان این برچسب را در صفحه قرار دادهاید و همچنان در حال ویرایش صفحه هستید، لطفاً در زمانهایی که مشغول ویرایش هستید این الگو را با {{ویرایش}} جایگزین کنید. برای آگاهی از پارامترهای الگو روی پیوند آن کلیک کنید. این مقاله آخرین بار در ۲ سال پیش توسط RousouR (بحث | مشارکتها) ویرایش شدهاست. (روزآمدسازی زمانسنج) |
صورت زخمی | |
---|---|
پرونده:Scar2.gif | |
کارگردان | هاوارد هاکسریچارد راسن |
تهیهکننده | هوارد هیوز |
فیلمنامهنویس | بن هکت |
بر پایه | صورت زخمی اثر آرمیتیج تریل |
بازیگران | پل مونیبوریس کارلوفکارن مورلیدنیس اوکیفداگلاس والتنپائول فیکس اِلینور وَندِرویر |
موسیقی | شلتون بروکس |
فیلمبردار | لی گارمس |
تدوینگر | ادوارد کورتیس |
شرکت تولید | کمپانی کادو |
توزیعکننده | یونایتد آرتیستس |
تاریخهای انتشار | ۹ آوریل ۱۹۳۲ |
مدت زمان | ۹۳ دقیقه |
کشور | ایالات متحده |
زبان | انگلیسی ایتالیایی |
صورت زخمی (به انگلیسی: Scarface) که همچنین با عناوین صورت زخمی: شرم یک ملت (به انگلیسی: Scarface: The Shame of the Nation) و شرم یک ملت نیز شناخته میشود فیلمی گنگستری به کارگردانی هاوارد هاکس و ریچارد راسن با بازی پل مونی است.[۱]
خلاصه داستان
«تونی کامونتی» (میونی)، خلافکاری، خردهپا، آرامآرام با قتل و جنایت به خطرناکترین گنگستر شهر بدل میشود…
یادداشت
پانویس
- ↑ "Scarface (1932 film)" (به انگلیسی). The Movie Database. Retrieved 8 Sep 2013.
{{cite web}}
: More than one of|کد زبان=
و|زبان=
specified (help)
منابع
- "Scarface (1932 film)". Wikipedia (به انگلیسی). 2021-09-20.
- Aaker, Everett (2013). The Films of George Raft. McFarland & Company. p. 24.
- Ashbrook, William (1965). Donizetti. London: Cassell & Company.
- Balio, Tino (2009). United Artists: The Company Built by the Stars. Madison: University of Wisconsin Press. p. 111. ISBN 9780299230043.
- Barlett, Donald L.; Steele, James B. (1979). Howard Hughes: His Life & Madness. New York: W.W. Norton & Company. ISBN 0393326020. Retrieved October 31, 2018.
- Benyahia, Sarah Casey (2012). Crime. Abingdon, Oxon: Routledge. ISBN 9780415581417.
- Bergreen, Laurence (1994). Capone: The Man and the Era. New York: Simon & Schuster. p. 49. ISBN 978-0671744564.
- Black, Gregory D. (1994). Hollywood Censored: Morality Codes, Catholics, and the Movies. Cambridge, UK: Cambridge University Press. p. 126. ISBN 978-0521452991. Retrieved June 22, 2018.
- Bojarski, Richard; Beale, Kenneth (1974). The Films of Boris Karloff. Secaucus, New Jersey: The Citadel Press. ISBN 0806503963.
- Bookbinder, Robert (1985). Classic Gangster Films. New York: Citadel Press. pp. 21–24. ISBN 978-0806514673.
- Brookes, Ian, ed. (2016). Howard Hawks: New Perspectives. London: Palgrave. ISBN 9781844575411.
- Brown, Peter Harry; Broeske, Pat H. (1996). Howard Hughes: The Untold Story. New York: Dutton. ISBN 0525937854.
- Clarens, Carlos (1980). Crime Movies: From Griffith to the Godfather and Beyond. Toronto: George J. McLeod Ltd. ISBN 978-0393009408.
- Danks, Adrian (2016). "'Ain't There Anyone Here for Love?' Space, Place and Community in the Cinema of Howard Hawks". In Brookes, Ian (ed.). Howard Hawks: New Perspectives. London: Palgrave. p. 46. ISBN 9781844575411.
- Doherty, Thomas (1999). Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema 1930-1934. New York: Columbia University Press. ISBN 978-0231110945.
- Eagan, Daniel (2010). America's Film Legacy: The Authoritative Guide to the Landmark Movies in the National Film Registry. New York: Continuum. p. 192. ISBN 9780826418494. Retrieved July 26, 2018.
Harry J. Vejar scarface.
- Fetherling, Doug (1977). The Five Lives of Ben Hecht. Lester and Orpen Limited. ISBN 978-0919630857.
- Godard, Jean Luc (1972). Godard on Godard: Critical Writings. New York: Viking Press. ISBN 0670342777.
- Grieveson, Lee; Sonnet, Esther; Stanfield, Peter, eds. (2005). Mob Culture: Hidden Histories of the American Gangster Film. New Brunswick, NJ: Rutgers University Press. ISBN 978-0813535562.
- Grønstad, Asbjørn (2003). "Mean Streets: Death and Disfiguration in Hawks's 'Scarface'". Nordic Journal of English Studies. 2 (2): 385. CiteSeerX 10.1.1.524.2093. doi:10.35360/njes.143.
- Guerif, Francois (1979). Le Film Noir Americain. Artigues-pres-Bordeaux: Editions Henri Veyrier. pp. 48–52. ISBN 978-2851992062.
- Gunter, Barrie (2018). Predicting Movie Success at the Box Office. Cham, Switzerland: Palgrave Macmillan. ISBN 9783319718033. Retrieved June 21, 2019.
- Hagemann, E.R. (1984). "Scarface: The Art of Hollywood, Not "The Shame of a Nation"". The Journal of Popular Culture. 18 (Summer): 30–40. doi:10.1111/j.0022-3840.1984.1801_30.x.
- Hagen, Ray; Wagner, Laura (2004). Killer Tomatoes: Fifteen Tough Film Dames. Jefferson, North Carolina: McFarland & Company, Inc. p. 52. ISBN 9780786418831.
- Hecht, Ben (1954). A Child of the Century. New York: Simon and Schuster. pp. 486–487.
- Hossent, Harry (1974). The Movie Treasury Gangster Movies: Gangsters, Hoodlums and Tough Guys of the Screen. London: Octopus Books Limited. ISBN 978-0706403701.
- Keating, Carla Mereu (2016). "'The Italian Color': Race, Crime Iconography and Dubbing Conventions in the Italian-language Versions of "Scarface" (1932)". Altre Modernita. 0 (Ideological Manipulation in Audiovisual Translation): 107–123.
- Langman, Larry; Finn, Daniel (1995). A Guide to American Crime Films of the Thirties. Westport, CT: Greenwood Press. pp. 227–228. ISBN 978-0313295324.
- MacAdams, William (1990). Ben Hecht: The man behind the legend. Scribner. p. 128. ISBN 978-0-684-18980-2.
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