پرونده:File-PDP-CH - Artur Schnabel with the London Symphony Orchestra - Malcolm Sargent - Piano Concerto No. 21 - Part 6 - 2nd Movement - Mozart - Hmv-db3101-2ea4609.flac

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File-PDP-CH_-_Artur_Schnabel_with_the_London_Symphony_Orchestra_-_Malcolm_Sargent_-_Piano_Concerto_No._21_-_Part_6_-_2nd_Movement_-_Mozart_-_Hmv-db3101-2ea4609.flac ‏(پروندهٔ صوتی اف‌ال‌ای‌سی، مدت ۳ دقیقه ۴۹ ثانیه، ۴٫۱۱ Mbps کلی)

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خلاصه

آهنگساز
ولفگانگ آمادئوس موتسارت  (1756–1791)  wikidata:Q254 s:en:Author:Wolfgang Amadeus Mozart q:en:Wolfgang Amadeus Mozart
 
ولفگانگ آمادئوس موتسارت
نام‌های دیگر

Joannes Chrysostomus Wolfgangus Theophilus Mozart, Johannes Chrysostomus Wolfgangus Theophilus Mozart, Johannes Chrysostomus Wolfgang Gottlieb Mozart, Johannes Chrysostomus Wolfgangus Theophil Mozart, Wolfgango Amadeo Mozart, Wolfgang Amadè Mozart, Wolfgang Amade Mozart,

Wolfgang Gottlieb Mozart
توضیحات آهنگساز، مربی موسیقی، نوازنده پیانو، موسیقی‌دان، organist و نوازنده ویولن
تاریخ تولد/درگذشت ‏۲۷ ژانویهٔ ۱۷۵۶‏ ویرایش در ویکی‌داده ‏۵ دسامبر ۱۷۹۱‏ ویرایش در ویکی‌داده
محل تولد/مرگ زالتسبورگ وین
دوره کار Classical period (First Viennese School)
محل کار
زالتسبورگ; وین ویرایش در ویکی‌داده
کنترل از طریق مرجع
creator QS:P170,Q254
توضیح

1st release date: 1938

1st recording date: 12 January 1937

Place of recording: EMI Studio No.1, Abbey Road, London (United Kingdom)

Author(s)/Composer(s): Wolfgang Amadeus Mozart (1756-1791)

Lyricist(s): none

Music arranger(s): none

Conductor: Malcolm Sargent (1895-1967)

Performer(s): Piano: Artur Schnabel (1948-1984) with the London Symphony Orchestra

Vocal range: instrumental

Title/Work: Piano Concerto No. 21 in C major, K. 467

Content: Part 6: 2nd Movement (Conclusion): Andante

Genre(s): Piano concerto

منبع http://pool.publicdomainproject.org/index.php?title=Hmv-db3101-2ea4609
اجازه‌نامه
(استفادهٔ مجدد از این پرونده)
Public domain

این اثر در کشورهایی و مناطقی که مدت زمان حق تکثیر، عمر پدیدآورنده بعلاوه 70 سال یا کمتر بعد از مرگ او است، در مالکیت عمومی قرار دارد.

You must also include a United States public domain tag to indicate why this work is in the public domain in the United States. Note that a few countries have copyright terms longer than 70 years: Mexico has 100 years, Jamaica has 95 years, Colombia has 80 years, and Guatemala and Samoa have 75 years. This image may not be in the public domain in these countries, which moreover do not implement the rule of the shorter term. Honduras has a general copyright term of 75 years, but it does implement the rule of the shorter term. Copyright may extend on works created by French who died for France in World War II (more information), Russians who served in the Eastern Front of World War II (known as the Great Patriotic War in Russia) and posthumously rehabilitated victims of Soviet repressions (more information).

این پرونده تحت قانون حق تکثیر محدودیت آزاد منتشر شده که شامل تمامی حقوق مربوطه و حقوق نزدیک به آن می‌شود.
This sound recording was first fixed prior to February 15, 1972. Under Title II (Classics Protection and Access) of the Orrin G. Hatch–Bob Goodlatte Music Modernization Act, which was signed into law on October 11, 2018, sound recordings that were first fixed prior to February 15, 1972 are protected from unauthorized use in the United States as follows:
  • Recordings that were first published prior to 1924 are in the public domain.
  • Recordings that were first published between 1924 and 1946 are copyrighted for a period of 100 years after first publication.
  • Recordings that were first published between 1947 and 1956 are copyrighted for a period of 110 years after first publication.
  • Recordings that were published after 1956 and first fixed prior to February 15, 1972 will enter the public domain on February 15, 2067.

Note that sound recordings that were first fixed prior to February 15, 1972 are a special case under US copyright law and are not subject to the same formalities as other works. In particular, the terms of protection given above for pre-1972 recordings apply regardless of whether a recording was published with a copyright notice, or whether a recording was registered with the US Copyright Office, or whether a recording's rights were renewed. Files bearing this tag may be deleted in the future, depending on the outcome of community discussions and new case law. If you are the rights holder of this sound recording and do not wish to have it hosted on Commons, please contact our designated agent.

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