هکاته (به یونانی: Εκάτη) در اسطورههای یونان، از ایزدبانوان یونانی و مرتبط با چهارراهها و جهانزیرین است. او اغلب دارای سه سر به تصویر کشیده میشود: یکی سگ، دیگری مار و سومی اسب. اکثر مواقع تصویر نادرستی از او به عنوان ایزدبانوی افسونگری یا شیطانی ارائه شدهاست، اما او در زمان خود اعمال خوب و پسندیدهای انجام داده بود.
هکاته در مذهب یونانی و اسطورهشناسی یک الهه است که در بیشتر موارد در حال حمل کردن دو مشعل یا یک کلید نشان داده میشود و در دورههای بعدی به صورت الههای با سه چهره نمایش داده میشود. او با تقاطعها، ورودیها، سگها، روشنایی، ماه، سحر و جادو، افسونگری، دانش گیاهی، گیاهان سمی، غیبگویی و احضار مردگان ارتباط دارد.
هکاته علاوه بر اینکه الهه جادو است الهه چهارراهها و میست نیز هست. (میست پردهای است که دنیای فانی را از خدایان جدا میکند.)
پیوند به بیرون[ویرایش]
Hecate or Hekate (//; Ancient Greek: Ἑκάτη, Hekátē) is a goddess in ancient Greek religion and mythology, most often shown holding a pair of torches or a key and in later periods depicted in triple form. She is variously associated with crossroads, entrance-ways, light, magic, witchcraft, knowledge of herbs and poisonous plants, ghosts, necromancy, and sorcery. She appears in the Homeric Hymn to Demeter and in Hesiod's Theogony, where she is promoted strongly as a great goddess. The place of origin of her following is uncertain, but it is thought that she had popular followings in Thrace.
Hecate was one of the main deities worshipped in Athenian households as a protective goddess and one who bestowed prosperity and daily blessings on the family. In the post-Christian writings of the Chaldean Oracles (2nd–3rd century CE) she was regarded with (some) rulership over earth, sea, and sky, as well as a more universal role as Saviour (Soteira), Mother of Angels and the Cosmic World Soul. Regarding the nature of her cult, it has been remarked, "she is more at home on the fringes than in the centre of Greek polytheism. Intrinsically ambivalent and polymorphous, she straddles conventional boundaries and eludes definition."
The origin of the name Hecate (Ἑκάτη, Hekátē) and the original country of her worship are both unknown, though several theories have been proposed.
Whether or not Hecate's worship originated in Greece, some scholars have suggested that the name derives from a Greek root, and several potential source words have been identified. For example, ἑκών "willing" (thus, "she who works her will" or similar), may be related to the name Hecate. However, no sources suggest list will or willingness as a major attribute of Hecate, which makes this possibility unlikely. Another Greek word suggested as the origin of the name Hecate is Ἑκατός Hekatos, an obscure epithet of Apollo interpreted as "the far reaching one" or "the far-darter". This has been suggested in comparison with the attributes of the goddess Artemis, strongly associated with Apollo and frequently equated with Hecate in the classical world. Supporters of this etymology suggest that Hecate was originally considered an aspect of Artemis prior to the latter's adoption into the Olympian pantheon. Artemis would have, at that point, become more strongly associated with purity and maidenhood, on the one hand, while her originally darker attributes like her association with magic, the souls of the dead, and the night would have continued to be worshiped separately under her title Hecate. Though often considered the most likely Greek origin of the name, the Ἑκατός theory does not account for her worship in Asia Minor, where her association with Artemis seems to have been a late development, and the competing theories that the atrribution of darker aspects and magic to Hecate were themselves not originally part of her cult.
Hecate possibly originated among the Carians of Anatolia, the region where most theophoric names invoking Hecate, such as Hecataeus or Hecatomnus, the father of Mausolus, are attested, and where Hecate remained a Great Goddess into historical times, at her unrivalled cult site in Lagina. While many researchers favor the idea that she has Anatolian origins, it has been argued that "Hecate must have been a Greek goddess." The monuments to Hecate in Phrygia and Caria are numerous but of late date.
William Berg observes, "Since children are not called after spooks, it is safe to assume that Carian theophoric names involving hekat- refer to a major deity free from the dark and unsavoury ties to the underworld and to witchcraft associated with the Hecate of classical Athens." In particular, there is some evidence that she might be derived from the local sun goddesses (see also Arinna), based on similar attributes.
If Hecate's cult spread from Anatolia into Greece, it is possible it presented a conflict, as her role was already filled by other more prominent deities in the Greek pantheon, above all by Artemis and Selene. This line of reasoning lies behind the widely accepted hypothesis that she was a foreign deity who was incorporated into the Greek pantheon. Other than in the Theogony, the Greek sources do not offer a consistent story of her parentage, or of her relations in the Greek pantheon: sometimes Hecate is related as a Titaness, and a mighty helper and protector of humans.
In Early Modern English, the name was also pronounced disyllabically (as //) and sometimes spelled Hecat. It remained common practice in English to pronounce her name in two syllables, even when spelled with final e, well into the 19th century.
The spelling Hecat is due to Arthur Golding's 1567 translation of Ovid's Metamorphoses, and this spelling without the final E later appears in plays of the Elizabethan-Jacobean period. Webster's Dictionary of 1866 particularly credits the influence of Shakespeare for the then-predominant disyllabic pronunciation of the name.
Although worship of Hecate existed alongside other deities in major public shrines and temples in antiquity, she was primarily a household deity. Shrines to Hecate were often placed at doorways to homes, temples, and cities with the belief that it would protect from restless dead and other spirits. Home shrines often took the form of a small Hekataion, a shrine centered on a wood or stone carving of a triple Hecate facing in thee directions on three sides of a central pillar. Larger Hekataions, often enclosed within small walled areas, were sometimes placed at public crossroads near important sites - for example, there was one on the road leading to the Acropolis. Likewise, shrines to Hecate at three way crossroads were created where food offerings were left at the new moon to protect those who did so from spirits and other evils.
Dogs were sacred to Hecate and associated with roads, domestic spaces, purification, and spirits of the dead. Dogs were also sacrificed to the road. This can be compared to Pausanias' report that in the Ionian city of Colophon in Asia Minor a sacrifice of a black female puppy was made to Hecate as "the wayside goddess", and Plutarch's observation that in Boeotia dogs were killed in purificatory rites. Dogs, with puppies often mentioned, were offered to Hecate at crossroads, which were sacred to the goddess.
The earliest definitive record of Hecate's worship dates to the 6th century B.C., in the form of a small terra cotta statue of a seated goddess, identified as Hekate in its inscription. This and other early depictions of Hecate lack distinctive attributes that would later be associated with her, such as a triple form or torches, and can only be identified as Hecate thanks to their inscriptions. Otherwise, they are typically generic, or Artemis-like.
Hecate's cult became established in Athens about 430 B.C. At this time, the sculptor Alcamenes made the earliest known triple-formed Hecate statue for use at her new temple. While this sculpture has not survived to the present day, numerous later copies are extant. It has been speculated that this triple image, usually situated around a pole or pillar, was derived from earlier representations of the goddess using three masks hung on actual wooden poles, possibly placed at crossroads and gateways.
Hecate was a popular divinity, and her cult was practiced with many local variations all over Greece and Western Anatolia. However, she did not have many known sanctuaries or temples dedicated to her outside of Caria, which was her major center of worship. Her most famous temple there was located in the town of Lagina. The oldest known direct evidence of Hecate's cult comes from Selinunte (near modern-day Trapani in Sicily), where she had a temple in the 6th–5th centuries BC.
There was a Temple of Hecate in Argolis: "Over against the sanctuary of Eilethyia is a temple of Hekate [the goddess probably here identified with the apotheosed Iphigenia], and the image is a work of Skopas. This one is of stone, while the bronze images opposite, also of Hekate, were made respectively by Polykleitos and his brother Naukydes." There were also a shrine to Hecate in Aigina, where she was very popular:
Aside from her own temples, Hecate was also worshipped in the sanctuaries of other gods, where she was apparently sometimes given her own space. A round stone altar dedicated to the goddess was found in the Delphinion (a temple dedicated to Apollo) at Miletus. Dated to the 7th century B.C., this is one of the oldest known artifacts dedicated to the worship of Hecate. In association with her worship alongside Apollo at Miletus, worshipers used a unique form of offering: they would place stone cubes, often wreathes, known as γυλλοι (gylloi) as protective offerings at the door or gateway. There was an area sacred to Hecate in the precincts of the Temple of Artemis at Ephesus, where the priests, megabyzi, officiated. This sanctuary was called Hekatesion (Shrine of Hekate). Hecate was also worshipped in the Temple of Athena in Titane: "In Titane there is also a sanctuary of Athena, into which they bring up the image of Koronis [mother of Asklepios] ... The sanctuary is built upon a hill, at the bottom of which is an Altar of the Winds, and on it the priest sacrifices to the winds one night in every year. He also performs other secret rites [of Hekate] at four pits, taming the fierceness of the blasts [of the winds], and he is said to chant as well the charms of Medea." She was most commonly worshipped in nature, where she had many natural sanctuaries. An important sanctuary of Hecate was a holy cave on the island of Samothrake called Zerynthos:
Cult at Lagina
The temple is mentioned by Strabo:
Lagina, where the famous temple of Hecate drew great festal assemblies every year, lay close to the originally Macedonian colony of Stratonikeia, where she was the city's patron. In Thrace she played a role similar to that of lesser-Hermes, namely a ruler of liminal regions, particularly gates, and the wilderness.
Cult at Byzantium
Hecate was greatly worshipped in Byzantium. She was said to have saved the city from Philip II, warning the citizens of a night time attack by a light in the sky, for which she was known as Hecate Lampadephoros. The tale is preserved in the Suda.
As Hecate Phosphorus (Venus) she is said to have lit the sky during the Siege of Philip II in 340, revealing the attack to its inhabitants. The Byzantines dedicated a statue to her as the "lamp carrier".
The Athenian Greeks honored Hekate during the Deipnon. In Greek, deipnon means the evening meal, usually the largest meal of the day. Hekate's Deipnon is, at its most basic, a meal served to Hekate and the restless dead once a lunar month during the new moon. The Deipnon is always followed the next day by the Noumenia, when the first sliver of moon is visible, and then the Agathos Daimon the day after that.
The main purpose of the Deipnon was to honor Hekate and to placate the souls in her wake who "longed for vengeance." A secondary purpose was to purify the household and to atone for bad deeds a household member may have committed that offended Hekate, causing her to withhold her favor from them. The Deipnon consists of three main parts: 1) the meal that was set out at a crossroads, usually in a shrine outside the entryway to the home 2) an expiation sacrifice, and 3) purification of the household.
Attributes and bynames
Hecate was known by a number of bynames:
Hecate was generally represented as three-formed. This has been speculated as being connected with the appearance of the full moon, half moon, and new moon. As a virgin goddess, she remained unmarried and had no regular consort, though some traditions named her as the mother of Scylla.
The earliest Greek depictions of Hecate were not three-formed. Farnell states: "The evidence of the monuments as to the character and significance of Hecate is almost as full as that of to express her manifold and mystic nature."
The earliest known monument is a small terracotta found in Athens, with a dedication to Hecate, in writing of the style of the 6th century. The goddess is seated on a throne with a chaplet bound round her head; she is altogether without attributes and character, and the main historical value of this work, which is evidently of quite a general type and gets a special reference and name merely from the inscription, is that it proves the single shape to be her earlier form, and her recognition at Athens to be earlier than the Persian invasion.
The 2nd-century travel writer Pausanias stated that Hecate was first depicted in triplicate by the sculptor Alkamenes in the Greek Classical period of the late 5th century BCE which was placed before the temple of the Wingless Nike in Athens. Greek anthropomorphic conventions of art resisted representing her with three faces: a votive sculpture from Attica of the 3rd century BCE (illustration, left), shows three single images against a column; round the column of Hecate dance the Charites. Some classical portrayals show her as a triplicate goddess holding a torch, a key, serpents, daggers and numerous other items. Depictions of both a single form Hekate and triple formed, as well as occasional four headed descriptions continued throughout her history.
In Egyptian-inspired Greek esoteric writings connected with Hermes Trismegistus, and in magical papyri of Late Antiquity she is described as having three heads: one dog, one serpent, and one horse. In other representations her animal heads include those of a cow and a boar. Hecate's triplicity is elsewhere expressed in a more Hellenic fashion in the vast frieze of the great Pergamon Altar, now in Berlin, wherein she is shown with three bodies, taking part in the battle with the Titans. In the Argolid, near the shrine of the Dioscuri, Pausanias saw the temple of Hecate opposite the sanctuary of Eileithyia; He reported the image to be the work of Scopas, stating further, "This one is of stone, while the bronze images opposite, also of Hecate, were made respectively by Polycleitus and his brother Naucydes, son of Mothon." (Description of Greece 2.22.7)
In the Argonautica, a 3rd-century BCE Alexandrian epic based on early material, Jason placates Hecate in a ritual prescribed by Medea, her priestess: bathed at midnight in a stream of flowing water, and dressed in dark robes, Jason is to dig a round pit and over it cut the throat of an ewe, sacrificing it and then burning it whole on a pyre next to the pit as a holocaust. He is told to sweeten the offering with a libation of honey, then to retreat from the site without looking back, even if he hears the sound of footsteps or barking dogs. All these elements betoken the rites owed to a chthonic deity.
A 4th-century BCE marble relief from Crannon in Thessaly was dedicated by a race-horse owner. It shows Hecate, with a hound beside her, placing a wreath on the head of a mare. She is commonly attended by a dog or dogs, and the most common form of offering was to leave meat at a crossroads. Images of her attended by a dog are also found at times when she is shown as in her role as mother goddess with child, and when she is depicted alongside the god Hermes and the goddess Kybele in reliefs.
Dogs were closely associated with Hecate in the Classical world. "In art and in literature Hecate is constantly represented as dog-shaped or as accompanied by a dog. Her approach was heralded by the howling of a dog. The dog was Hecate's regular sacrificial animal, and was often eaten in solemn sacrament." The sacrifice of dogs to Hecate is attested for Thrace, Samothrace, Colophon, and Athens.
It has been claimed that her association with dogs is "suggestive of her connection with birth, for the dog was sacred to Eileithyia, Genetyllis, and other birth goddesses. Although in later times Hecate's dog came to be thought of as a manifestation of restless souls or demons who accompanied her, its docile appearance and its accompaniment of a Hecate who looks completely friendly in many pieces of ancient art suggests that its original signification was positive and thus likelier to have arisen from the dog's connection with birth than the dog's underworld associations." The association with dogs, particularly female dogs, could be explained by a metamorphosis myth in Lycophron: the friendly looking female dog accompanying Hecate was originally the Trojan Queen Hekabe, who leapt into the sea after the fall of Troy and was transformed by Hecate into her familiar.
Another metamorphosis myth explains why the polecat is also associated with Hecate. From Antoninus Liberalis: "At Thebes Proitos had a daughter Galinthias. This maiden was playmate and companion of Alkmene, daughter of Elektryon. As the birth throes for Herakles were pressing on Alkmene, the Moirai (Fates) and Eileithyia (Birth-Goddess), as a favour to Hera, kept Alkmene in continuous birth pangs. They remained seated, each keeping their arms crossed. Galinthias, fearing that the pains of her labour would drive Alkmene mad, ran to the Moirai and Eleithyia and announced that by desire of Zeus a boy had been born to Alkmene and that their prerogatives had been abolished.
At all this, consternation of course overcame the Moirai and they immediately let go their arms. Alkmene’s pangs ceased at once and Herakles was born. The Moirai were aggrieved at this and took away the womanly parts of Galinthias since, being but a mortal, she had deceived the gods. They turned her into a deceitful weasel (or polecat), making her live in crannies and gave her a grotesque way of mating. She is mounted through the ears and gives birth by bringing forth her young through the throat. Hekate felt sorry for this transformation of her appearance and appointed her a sacred servant of herself."
Aelian told a different story of a woman transformed into a polecat: ""I have heard that the polecat was once a human being. It has also reached my hearing that Gale was her name then; that she was a dealer in spells and a sorceress (Pharmakis); that she was extremely incontinent, and that she was afflicted with abnormal sexual desires. Nor has it escaped my notice that the anger of the goddess Hekate transformed it into this evil creature. May the goddess be gracious to me: fables and their telling I leave to others."
Athenaeus of Naucratis, drawing on the etymological speculation of Apollodorus of Athens, notes that the red mullet is sacred to Hecate, "on account of the resemblance of their names; for that the goddess is trimorphos, of a triple form". The Greek word for mullet was trigle and later trigla. He goes on to quote a fragment of verse "O mistress Hecate, Trioditis / With three forms and three faces / Propitiated with mullets". In relation to Greek concepts of pollution, Parker observes, "The fish that was most commonly banned was the red mullet (trigle), which fits neatly into the pattern. It 'delighted in polluted things,' and 'would eat the corpse of a fish or a man'. Blood-coloured itself, it was sacred to the blood-eating goddess Hecate. It seems a symbolic summation of all the negative characteristics of the creatures of the deep." At Athens, it is said there stood a statue of Hecate Triglathena, to whom the red mullet was offered in sacrifice. After mentioning that this fish was sacred to Hecate, Alan Davidson writes, "Cicero, Horace, Juvenal, Martial, Pliny, Seneca and Suetonius have left abundant and interesting testimony to the red mullet fever which began to affect wealthy Romans during the last years of the Republic and really gripped them in the early Empire. The main symptoms were a preoccupation with size, the consequent rise to absurd heights of the prices of large specimens, a habit of keeping red mullet in captivity, and the enjoyment of the highly specialized aesthetic experience induced by watching the color of the dying fish change."
The frog, which was also the symbol of the similarly-named Egyptian goddess Heqet, has also become sacred to Hecate in modern Pagan literature, possibly due in part to its ability to cross between two elements.
In her three-headed representations, discussed above, Hecate often has one or more animal heads, including cow, dog, boar, serpent and horse.
Hecate was closely associated with plant lore and the concoction of medicines and poisons. In particular she was thought to give instruction in these closely related arts. Apollonius of Rhodes, in the Argonautica mentions that Medea was taught by Hecate, "I have mentioned to you before a certain young girl whom Hecate, daughter of Perses, has taught to work in drugs."
The goddess is described as wearing oak in fragments of Sophocles' lost play The Root Diggers (or The Root Cutters), and an ancient commentary on Apollonius of Rhodes' Argonautica (3.1214) describes her as having a head surrounded by serpents, twining through branches of oak.
The yew in particular was sacred to Hecate.
Hecate was said to favor offerings of garlic, which was closely associated with her cult. She is also sometimes associated with cypress, a tree symbolic of death and the underworld, and hence sacred to a number of chthonic deities.
A number of other plants (often poisonous, medicinal and/or psychoactive) are associated with Hecate. These include aconite (also called hecateis), belladonna, dittany, and mandrake. It has been suggested that the use of dogs for digging up mandrake is further corroboration of the association of this plant with Hecate; indeed, since at least as early as the 1st century CE, there are a number of attestations to the apparently widespread practice of using dogs to dig up plants associated with magic.
Boundaries and crossroads
Hecate was associated with borders, city walls, doorways, crossroads and, by extension, with realms outside or beyond the world of the living. She appears to have been particularly associated with being 'between' and hence is frequently characterized as a "liminal" goddess. "Hecate mediated between regimes—Olympian and Titan—but also between mortal and divine spheres." This liminal role is reflected in a number of her cult titles: Apotropaia (that turns away/protects); Enodia (on the way); Propulaia/Propylaia (before the gate); Triodia/Trioditis (who frequents crossroads); Klêidouchos (holding the keys), etc.
This function would appear to have some relationship with the iconographic association of Hecate with keys, and might also relate to her appearance with two torches, which when positioned on either side of a gate or door illuminated the immediate area and allowed visitors to be identified. "In Byzantium small temples in her honor were placed close to the gates of the city. Hecate's importance to Byzantium was above all as a deity of protection. When Philip of Macedon was about to attack the city, according to the legend she alerted the townspeople with her ever present torches, and with her pack of dogs, which served as her constant companions." This suggests that Hecate's close association with dogs derived in part from the use of watchdogs, who, particularly at night, raised an alarm when intruders approached. Watchdogs were used extensively by Greeks and Romans.
Cult images and altars of Hecate in her triplicate or trimorphic form were placed at three-way crossroads (though they also appeared before private homes and in front of city gates). In this form she came to be identified with the Roman goddess Diana Trivia ("of the three ways"). In what appears to be a 7th-century indication of the survival of cult practices of this general sort, Saint Eligius, in his Sermo warns the sick among his recently converted flock in Flanders against putting "devilish charms at springs or trees or crossroads", and, according to Saint Ouen would urge them "No Christian should make or render any devotion to the deities of the trivium, where three roads meet...".
Like Hecate, "[t]he dog is a creature of the threshold, the guardian of doors and portals, and so it is appropriately associated with the frontier between life and death, and with demons and ghosts which move across the frontier. The yawning gates of Hades were guarded by the monstrous watchdog Cerberus, whose function was to prevent the living from entering the underworld, and the dead from leaving it."
According to Hesiod, she held sway over many things:
Hesiod's inclusion and praise of Hekate in the Theogony has been troublesome for scholars, in that he seems to hold her in high regard, while the testimony of other writers, and surviving evidence, suggests that this may have been the exception. One theory is that Hesiod's original village had a substantial Hekate following and that his inclusion of her in the Theogony was a way of adding to her prestige by spreading word of her among his readers. Another theory is that Hekate was mainly a household god and humble household worship could have been more pervasive and yet not mentioned as much as temple worship. In Athens Hekate, along with Zeus, Hermes, Hestia, and Apollo, were very important in daily life as they were the main gods of the household. However, it is clear that the special position given to Hekate by Zeus is upheld throughout her history by depictions found on coins depicting Hekate on the hand of Zeus as highlighted in more recent research presented by d'Este and Rankine.
In the Homeric Hymn to Demeter (composed c. 600 BCE), Hekate is called the "tender-hearted", a euphemism perhaps intended to emphasize her concern with the disappearance of Persephone, when she assisted Demeter with her search for Persephone following her abduction by Hades, suggesting that Demeter should speak to the god of the Sun, Helios. Subsequently, Hekate became Persephone's companion on her yearly journey to and from the realms of Hades; serving as a psychopomp. Because of this association, Hekate was one of the chief goddesses of the Eleusinian Mysteries, alongside Demeter and Persephone, and there was a temple dedicated to her near the main sanctuary at Eleusis.
Variations in interpretations of Hekate's role or roles can be traced in classical Athens. In two fragments of Aeschylus she appears as a great goddess. In Sophocles and Euripides she is characterized as the mistress of witchcraft and the Keres.
One surviving group of stories[clarification needed] suggests how Hekate might have come to be incorporated into the Greek pantheon without affecting the privileged position of Artemis. Here, Hekate is a mortal priestess often associated with Iphigenia. She scorns and insults Artemis, who in retribution eventually brings about the mortal's suicide.
In the earliest written source mentioning Hekate, Hesiod emphasized that she was an only child, the daughter of Perses and Asteria, the sister of Leto (the mother of Artemis and Apollo). Grandmother of the three cousins was Phoebe the ancient Titaness who personified the Moon.
Hellenistic period to Late Antiquity
Hecate is the primary feminine figure in the Chaldean Oracles (2nd-3rd century CE), where she is associated in fragment 194 with a strophalos (usually translated as a spinning top, or wheel, used in magic) "Labour thou around the Strophalos of Hecate." This appears to refer to a variant of the device mentioned by Psellus.
In the syncretism during Late Antiquity of Hellenistic and late Babylonian ("Chaldean") elements, Hecate was identified with Ereshkigal, the underworld counterpart of Inanna in the Babylonian cosmography. In the Michigan magical papyrus (inv. 7), dated to the late 3rd or early 4th century CE, Hecate Ereschigal is invoked against fear of punishment in the afterlife.
Strmiska (2005) claimed that Hecate, conflated with the figure of Diana, appears in late antiquity and in the early medieval period as part of an "emerging legend complex" known as "The Society of Diana" associated with gatherings of women, the moon, and witchcraft that eventually became established "in the area of Northern Italy, southern Germany, and the western Balkans." This theory of the Roman origins of many European folk traditions related to Diana or Hecate was explicitly advanced at least as early as 1807 and is reflected[dubious ] in etymological claims by early modern lexicographers from the 17th to the 19th century, connecting hag, hexe "witch" to the name of Hecate. Such derivations are today proposed only by a minority  A medieval commentator has suggested a link connecting the word "jinx" with Hecate: "The Byzantine polymath Michael Psellus [...] speaks of a bullroarer, consisting of a golden sphere, decorated throughout with symbols and whirled on an oxhide thong. He adds that such an instrument is called a iunx (hence "jinx"), but as for the significance says only that it is ineffable and that the ritual is sacred to Hecate."
Shakespeare mentions Hecate both before the end of the 16th century (A Midsummer Night's Dream, 1594-96), and just after, in Macbeth (1605): specifically, in the title character's "dagger" soliloquy: "Witchcraft celebrates pale Hecate's offerings..."
In 1929, Lewis Brown, an expert on religious cults, connected the 1920s Blackburn Cult (also known as, "The Cult of the Great Eleven,") with Hecate worship rituals. He noted that the cult regularly practiced dog sacrifice and had secretly buried the body of one of its "queens" with seven dogs. Researcher Samuel Fort noted additional parallels, to include the cult's focus on mystic and typically nocturnal rites, its female dominated membership, the sacrifice of other animals (to include horses and mules), a focus on the mystical properties of roads and portals, and an emphasis on death, healing, and resurrection.
As a "goddess of witchcraft", Hecate has been incorporated in various systems of modern witchcraft, Wicca and Neopaganism, in some cases associated with the Wild Hunt of Germanic tradition, in others as part of a reconstruction of specifically Greek polytheism, in English also known as "Hellenismos". In Wicca, Hecate has in some cases become identified with the "Crone" aspect of the "Triple Goddess".
Hecate is also the namesake of the hundredth numbered asteroid, which was discovered by American astronomer James Craig Watson on July 11, 1868. Its adopted name alludes to it as being the hundredth named asteroid ('hekaton' being the Greek for 'hundred').
Hecate is mentioned in several of Rick Riordan's books in the Percy Jackson and the Olympians and The Heroes of Olympus series. She is also a character in The Secrets of the Immortal Nicholas Flamel series by Michael Scott.