Possibly Boudewijn de Man, Delft; (his sale, Delft, 15 March 1644, no. 2, as Een Adam ende Eva).[1] Possibly private collection, Amsterdam, 1671.[2] Probably (anonymous sale, Hubert and Dupuy at Salle des Grands Augustins, Paris, 3 June 1774 and following days, no. 34, as Adam & Eve).[3] (Camillo Davico, Turin), before 1936; purchased 1936 by Prof. Mario Micheletti, Turin; acquired 1972 by private collection, Switzerland;[4] (sale, Christie, Manson & Woods, New York, 15 May 1996, no. 51); purchased by NGA.

[1] Owners through 1774, and the accompanying footnotes documenting the sources, are taken from the 1996 Christie's sale catalogue. Boudewijn de Man's ownership of "Een Adam ende Eva van Goltius [f.] 110" is documented in Gemeente Archief Delft, Notary archive no. 1861, deed no. 2035.

[2] Hendrik Houmes' annotation "een Adam en Eva op de cingel tot Amsterdam" is in a copy of van Mander's Het Schilder Boeck, fol. 286 recto, preserved in the Rijksprentenkabinet, Amsterdam.

[3] Lot 34 in this sale is described as "Adam & Eve de Goltius, Pouc. de haut 40". It therefore measured approximately 100 centimeters in height (the width was not recorded), and it sold for 49.7 francs.

• https://www.nga.gov/content/ngaweb/Collection/art-object-page.95659.html 
• National Gallery of Art artwork ID: 95659 
• شماره شناسۀ پرونده‌های RKD: 9682 
• شناسۀ هنر و میراث فرهنگی گوگل: iQEzLqQ7IESl2Q