جایزه گرمی

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برای دیگر کاربردها، گرمی (ابهام‌زدایی) را ببینید. جایزه گرمی ارائه کننده آکادمی ملی علوم و هنرهای ضبط کشور ایالات متحده آمریکا اولین مراسم ۱۹۵۹ (۱۳۳۸ ه. ش) وب‌گاه رسمی grammy.com جایزهٔ گِرَمی (به انگلیسی: Grammy Awards)‏ (در اصل: جایزهٔ گرامافون) نام مراسم اهدای جوایزی است که توسط آکادمی ملی علوم و هنرهای ضبط، به دستاوردهای برجسته در تولید موسیقی تعلق می‌گیرد. از بین سه مراسم بزرگ موسیقی جهان، گرمی بزرگ‌ترین آن‌ها است. ارزش جایزهٔ گرمی برابر با جایزهٔ اُسکار در صنعت فیلم‌سازی و جایزهٔ اِمی در تلویزیون است. این مراسم همانند اسکار، دارای ۱۰۸ رده‌بندی خاص در ۳۰ سبک مختلف موسیقی همانند: پاپ، راک، آر اند بی و رپ است. رای تمامی داوران در نتیجه نهایی این مراسم تأثیر دارد. اولین مراسم گرمی در ۴ مه ۱۹۵۹ و آخرین آن با عنوان «۵۴امین مراسم جوایز گرمی» در ۱۲ فوریه ۲۰۱۲ در سالن استیپلز سنتر شهر لس آنجلس برگزار شد. مراسم گرمی هم اکنون از شبکه سی‌بی‌اس پخش می‌شود. پیشینه جایزه گرمی که به رسم یادبود به برندگان اهدا می‌شود، تندیس طلایی دست‌ساز یک گرامافون است که توسط بیلینگز آرت‌ورکز ساخته شده‌است. تا سال ۲۰۰۶، برخلاف سایر جوایز دوره اهدای جوایز گرمی در تاریخ ۱ اکتبر آغاز شده و آلبوم‌ها و ترانه‌های انتخاب شده برای شرکت در گرمی سال بعد انتخاب می‌شوند. برای مثال آلبوم Double Fantasy از جان لنون و یوکو آنو در ۱۷ نوامبر ۱۹۸۰ ساخته شد، و ۱۶ روز دیرتر از جوایز گرمی سال ۱۹۸۱ ساخته شد؛ برای همین در جوایز گرمی سال ۱۹۸۲ نامزد شد و از قضا جایزه گرمی بهترین آلبوم سال را از آن خود کرد. این تاریخ چند ماه زودتر از تقویم اسکار بود و نتایج جالبی هم داشت. برای مثال فیلم ری در سال ۲۰۰۵ برنده جایزه اسکار بهترین صداگذاری شد اما برنده جایزه گرمی رده ۸۰ و رده ۸۱ (بهترین موسیقی متن فیلم) سال ۲۰۰۶ شد. رده‌ها نوشتار اصلی: فهرست رده‌های جایزه گرمی‎ مراسم جایزهٔ گرمی دارای «چهار جایزهٔ اصلی» است که سبک‌بندی نشده‌اند: آلبوم سال: به خواننده و تهیه‌کننده یک آلبوم اهدا می‌شود. ضبط سال: به خواننده و تهیه‌کنندهٔ یک آهنگ اهدا می‌شود. ترانهٔ سال: به ترانه‌سرا و آهنگ‌ساز یک آهنگ اهدا می‌شود. بهترین هنرمند جدید: به بهترین هنرمندی که برای اولین بار در صنعت موسیقی اثری از خود به صورت رسمی منتشر می‌کند تعلق می‌گیرد. جایزه‌های ویژه این مراسم دارای ۵ جایزهٔ ویژه‌است: جایزهٔ اسطوره: به هنرمند زنده‌ای که دارای تأثیر و نفوذ قابل توجه بر صنعت موسیقی باشد اهدا می‌شود. یک عمر دستاورد هنری: به هنرمندی که در طول عمر هنری خود، دستاوردهای قابل توجهی داشته‌است. جایزهٔ امنا جایزه تالار مشاهیر گرمی MusiCares Person of the Year رکوردها بیشترین برندگان رتبه اول دوم دوم هنرمند جرج سولتی کوئینسی جونز آلیسون کراس کل جوایز ۳۱ ۲۷ ۲۶ بزرگ‌ترین برندگان بزرگ‌ترین برندگان جایزهٔ گرمی که در یک شب هشت جایزه بردند، مایکل جکسون در سال ۱۹۸۴ میلادی و گروه سانتانا در سال ۲۰۰۰ بودند: مایکل جکسون نوشتار اصلی: تریلر (آلبوم) مایکل جکسون در سال ۱۹۸۴ توانست ۸ جایزهٔ گرمی را در یک شب برنده شود. آلبوم سال: آلبوم تریلر تهیه‌کنندهٔ سال: مایکل جکسون، کوئینسی جونز ضبط سال: «بزن به چاک» بهترین اجرای خوانندهٔ مَرد در سبک پاپ: ترانهٔ «تریلر» بهترین اجرای خوانندهٔ مَرد در سبک راک: ترانهٔ «بزن به چاک» بهترین اجرای خوانندهٔ مَرد در سبک آر اند بی: ترانهٔ «بیلی جین» بهترین ترانهٔ آر اند بی: «بیلی جین» بهترین ضبط برای کودکان: کتاب گویای ای. تی. موجود فرازمینی گروه سانتانا در سال ۲۰۰۰ گروه سانتانا، به رهبری کارلوس سانتانا، برندهٔ ۸ جایزهٔ گرمی شدند: ضبط سال: ترانهٔ "Smooth" آلبوم سال: فراطبیعی بهترین اجرای وکال زوج یا گروه پاپ - Maria Maria بهترین دستیار وکال - Smooth بهترین اجرای ساز پاپ - El Farol بهترین اجرای وکال زوج یا گروه راک - Put Your Lights On بهترین اجرای ساز راک - The Calling بهترین آلبوم در سبک راک: - Supernatural کسی که بیش‌ترین جایزه را نامزد شده کوئینسی جونز با ۷۹ جایزه. کسی که در یک شب بیش‌ترین جایزه را نامزد شده مایکل جکسون در سال ۱۹۸۴ با ۱۲ جایزهٔ نامزد شده که ۸ عدد از آن را برنده شد. جوان‌ترین هنرمندان نامزد شده دلون ریچاردز در ۹ سالگی مایکل جکسون در ۱۲ سالگی زک هنسان در ۱۲ سالگی لئان رایمز در ۱۴ سالگی لوئیس میگول اوریل لاوین در ۱۶ سالگی جاستین بیبر در ۱۶ سالگی جاس استون در ۱۷ سالگی بریتنی اسپیرز در ۱۸ سالگی تیلور سویفت در ۱۸ سالگی آلانیس موریست در ۱۸ سالگی دیگر رکوردها اکثر مراسم گرمی توسط سر جورج سالتی، رهبر ارکستر سمفونی شیکاگو، تا ۲۲ سال برگزار شده‌است. وی خودش برنده ۳۱ جایزه گرمی بوده، و تا قبل از مرگش در سال ۱۹۹۷، ۷۴ بار نامزد شده بود. پت متنی و گروهش جمعاً ۱۷ جایزه گرمی را از آن خود کردند، که شامل هفت جایزه متوالی برای هفت آلبوم متوالی بوده‌است. رکورد متنی تا سال ۲۰۰۵ برای برنده شدن جایزه گرمی در رده‌های متفاوت نگه داشته شد: بهترین اجرای جاز فیوژن (۱۹۸۳, ۱۹۸۴, ۱۹۸۵, ۱۹۸۸, ۱۹۹۰) بهترین قطعه سازی (۱۹۹۱) بهترین اجرای زنده جاز/آلبوم (۱۹۹۳, ۱۹۹۴, ۱۹۹۶, ۱۹۹۹, ۲۰۰۳, ۲۰۰۵) بهترین اجرای ساز جاز، انفرادی یا گروهی (۱۹۹۸, ۲۰۰۰) بهترین اجرای ساز راک (۱۹۹۹) بهترین ساز جاز انفرادی (۲۰۰۱) هال بلین برنده شش جایزه متوالی بود که به عنوان رکورد سال مشخص شد: ۱۹۶۶ Herb Alpert & the Tijuana Brass - «A Taste of Honey» ۱۹۶۷ Frank Sinatra - «Strangers in the Night» ۱۹۶۸ ۵th Dimension - «Up, Up and Away» ۱۹۶۹ Simon & Garfunkel - «Mrs. Robinson» ۱۹۷۰ ۵th Dimension - «Aquarius/Let the Sunshine In» ۱۹۷۱ Simon & Garfunkel - «Bridge Over Troubled Water» آلیسون کراس ۲۰ جایزه گرمی را برای خود برد، بیشتر از هر خواننده زن و کانتری دیگر. وی تاکنون همواره در رده هفتم فهرست برندگان بوده‌است. هنرمند موتاون، استیو واندر برنده ۲۴ جایزه بوده که ۱۲تای آنها را در دهه ۱۹۷۰ برده‌است. سه تای آنها هم برای آلبوم سال برای سه آلبوم متوالی وی بودند. رهبر افسانه‌ای اپرا لئونتین پرایس برنده ۱۸ جایزه بوده‌است. خواننده سول و R&B آرتا فرانکلین کلاً ۱۸ جایزه برد که ۱۱تای آنها مربوط به بهترین اجرای وکال R&B زن بودند و ۸تای آنها به صورت متوالی (۸ جایزه اول گرمی) بود: ۱۹۶۸ - "Respect" ۱۹۶۹ - «Chain of Fools» ۱۹۷۰ - «Share Your Love With Me» ۱۹۷۱ - «Don't Play That Song» ۱۹۷۲ - «Bridge Over Troubled Water» ۱۹۷۳ - Young, Gifted, and Black ۱۹۷۴ - «Master of Eyes» ۱۹۷۵ - «Ain't Nothing Like The Real Thing» ۱۹۸۲ - «Hold On, I'm Comin'» ۱۹۸۶ - «Freeway of Love» ۱۹۸۸ - Aretha بالاترین رکورد جوایز گرمی در یک شب (6) عدد می باشد که توسط: ادل 2012 به دست آمد کریستوفر کراس تنها خواننده‌ای بود که «چهار جایزه بزرگ» را در یک شب از آن خود کرد (ضبط سال، آلبوم سال، ترانه سال و بهترین هنرمند جدید). از طرفی دیگر، نورا جونز هم ضبط سال، آلبوم سال، و بهترین هنرمند جدید را برنده شد و در آن سال نوازندهٔ گیتار او، جس هریس برنده ترانه سال برای 'Don't Know Why' شد. علیرغم اینکه نورا جونز آن ترانه را خوانده بود برنده آن نشد، زیرا آن جایزه ترانه‌ساز است. بلا فلک بیشتر از تمام خوانندگان دیگر نامزد جایزه‌های گرمی در رده‌های مختلف شده‌است، یعنی کانتری، پاپ، جاز، بلوگراس، کلاسیک و سخنرانی، و تصنیف و اقتباس. کریستینا اگیلرا جوان‌ترین فرد برنده جوایز بوده‌است. در سال ۲۰۰۰ برنده جایزه گرمی بهترین هنرمند جدید شد. در آن موقع ۱۹ ساله بود و تاکنون برنده سه جایزه گرمی بوده‌است. جس استون جوان‌ترین فرد نامزد شده جوایز بوده‌است. در سال ۲۰۰۵ نامزد جایزه گرمی بهترین هنرمند جدید، بهترین اجرای پاپ وکال زن و بهترین آلبوم پاپ وکال شد ولی در هیچکدام برنده نشد. در آن موقع ۱۷ ساله بود. یوتو بیش از هر گروه راک دیگر برنده جایزه گرمی شد. تا امروز آنها برنده ۲۲ جایزه شده‌اند. آنها دو بار برنده بهترین آلبوم سال، دوبار برنده بهترین ضبط سال، دو بار بهترین ترانهٔ سال و دو بار بهترین آلبوم راک سال شدند. مکان‌های اجرا و میزبانی ۱۹۵۹ تا ۱۹۷۲: The Ambassador Hotel، لوس‌آنجلس ۱۹۷۳ تا ۱۹۷۷: Grand Ole Opry، نشویل ۱۹۷۸ تا ۱۹۸۰: Shrine Auditorium، لوس‌آنجلس ۱۹۸۱: Radio City Music Hall، نیویورک ۱۹۸۲ تا ۱۹۸۳: Shrine Auditorium، لوس‌آنجلس ۱۹۸۴: Radio City Music Hall، نیویورک ۱۹۸۵ تا ۱۹۸۷: Shrine Auditorium، لوس‌آنجلس ۱۹۸۸ تا ۱۹۸۹: Radio City Music Hall، نیویورک ۱۹۹۰: Shrine Auditorium، لوس‌آنجلس ۱۹۹۱ تا ۱۹۹۲: Radio City Music Hall، نیویورک ۱۹۹۳: Shrine Auditorium، لوس‌آنجلس ۱۹۹۴: Radio City Music Hall، نیویورک ۱۹۹۵ تا ۱۹۹۶: Shrine Auditorium، لوس‌آنجلس ۱۹۹۷: مدیسن اسکوئر گاردن، نیویورک ۱۹۹۸: Radio City Music Hall، نیویورک ۱۹۹۹: Shrine Auditorium، لوس‌آنجلس ۲۰۰۰ تا ۲۰۰۲: استیپلز سنتر، لوس‌آنجلس ۲۰۰۳: مدیسن اسکوئر گاردن، نیویورک ۲۰۰۴ تا اکنون: استیپلز سنتر، لوس‌آنجلس واژه‌نامه جستارهای وابسته گواهی‌نامه انجمن صنعت ضبط آمریکا جوایز جهانی موسیقی جوایز موسیقی آمریکا منابع در ویکی‌انبار پرونده‌هایی دربارهٔ جایزه گرمی موجود است. مشارکت‌کنندگان ویکی‌پدیا، «Grammy Award»، ویکی‌پدیای ، دانشنامهٔ آزاد (بازیابی در ۲۷ آپریل ۲۰۱۱).

For the music award presented by Gramophone magazine, see Gramophone Award. "Grammy" redirects here. For grandmother, see grandparent. "Grammys" redirects here. It is not to be confused with Grammis. Grammy Awards 2014 Grammy Awards The Grammy awards are named from the trophy: a small, gilded reproduction of a gramophone. Awarded for Outstanding achievements in the music industry Country United States Presented by National Academy of Recording Arts and Sciences First awarded 1959 Official website grammy.com Television coverage Network NBC (1959–1970) ABC (1971–1972) CBS (1973–present) A Grammy Award (originally called Gramophone Award) – or Grammy – is an accolade by the National Academy of Recording Arts and Sciences of the United States to recognize outstanding achievement in the music industry. The annual presentation ceremony features performances by prominent artists, and some of the awards of more popular interest are presented in a widely viewed televised ceremony. It is the music equivalent to the Emmy Awards for television, the Tony Awards for stage performances, and the Academy Awards for motion pictures. The first Grammy Awards ceremony was held on May 4, 1959, and it was set up to honor musical accomplishments by performers for the year 1958. Following the 2011 ceremony, NARAS overhauled many Grammy Award categories for 2012. The 55th Grammy Awards were held on February 10, 2013, at the Staples Center in Los Angeles, California. History The Grammy Awards had their origin in the Hollywood Walk of Fame project in the 1950s. As the recording executives chosen for the Walk of Fame (Tabinda Walk) committee worked at compiling a list of important recording industry people who might qualify for a Walk of Fame star, they realized there were many more people who were leaders in their business who would never earn a star on Hollywood Boulevard. The music executives decided to rectify this by creating an award given by their industry similar to the Oscars and the Emmys. This was the beginning of the National Academy of Recording Arts and Sciences. After it was decided to create such an award, there was still a question of what to call it; one working title was the Eddie, to honor the inventor of the phonograph, Thomas Edison. They finally settled on using the name of the invention of Emile Berliner, the gramophone, for the awards, which were first given for the year 1958. Gramophone trophy The gold-plated trophies, each depicting a gilded gramophone, are made and assembled by hand by Billings Artworks in Ridgway, Colorado. In 1990 the original Grammy design was revamped, changing the traditional soft lead for a stronger alloy less prone to damage, made of slumped and reformed pre-war Gibson flat head banjo tone rings, making the trophy bigger and grander. The trophies with the recipient's name engraved on them are not available until after the award announcements, so "stunt" trophies are re-used each year for the broadcast. As of February 2009, 7,578 Grammy trophies had been awarded. Categories Main article: List of Grammy Award categories Bonnie Raitt holding the Grammys she won at the 1990 Grammy Awards. The "General Field" are four awards which are not restricted by genre. Album of the Year is awarded to the performer and the production team of a full album. Record of the Year is awarded to the performer and the production team of a single song. Song of the Year is awarded to the writer(s)/composer(s) of a single song. Best New Artist is awarded to a promising breakthrough performer who releases, during the Eligibility Year, the first recording that establishes the public identity of that artist (which is not necessarily their first proper release). Other awards are given for performance and production in specific genres, as well as for other contributions such as artwork and video. Special awards are given for longer-lasting contributions to the music industry. Because of the large number of award categories (78 in 2012, 81 in 2013 and 82 in 2014), and the desire to feature several performances by various artists, only the ones with the most popular interest - typically about 10 to 12, including the four General Field categories and one or two categories in the most popular music genres (i.e. pop, rock, country, rap) - are presented directly at the televised award ceremony. Other awards are presented in a pre-telecast ceremony earlier in the afternoon of the Grammy awards ceremony. 2012 category restructuring On April 6, 2011, The Recording Academy announced a drastic overhaul of many Grammy Award categories for 2012. The number of categories was cut from 109 to 78. The most important change was the elimination of the distinction between male and female soloists and between collaborations and duo/groups in various genre fields (pop, rock, R&B, country, and rap). Also, several categories for instrumental soloists were discontinued. Recordings in these categories now fall under the general categories for best solo performances. In the rock field, the separate categories for hard rock and metal albums were combined and the Best Rock Instrumental Performance category was eliminated due to a waning number of entries. In R&B, the distinction between best contemporary R&B album and other R&B albums has been eliminated. They now feature in one, general Best R&B Album category. In rap, the categories for best rap soloist and best rap duo or group have been merged into the new Best Rap Performance category. The most eliminations occurred in the roots category. Up to and including 2011, there were separate categories for various regional American music forms, such as Hawaiian music, Native American music and Zydeco/Cajun music. Due to the consistently low number of entries for these categories, The Recording Academy decided to combine all these music variations into the new Best Regional Roots Music Album, including polka, which lost its own separate category in 2009. In the same genre field, the traditional and contemporary blues categories and the traditional and contemporary folk categories each were consolidated into one per genre, due to the number of entries and given the challenges in distinguishing between contemporary folk and Americana, and contemporary and traditional blues. In the world music genre field, the traditional and contemporary categories also merged. In the classical genre field, its main category Best Classical Album was discontinued because most recipients in this category had also won in one of the other classical categories for the same album. Classical recordings are now eligible for the main Album of the Year category. There were also a few minor name changes to better reflect the nature of the separate categories. It was determined by the Recording Academy that the word "gospel" in the gospel genre field tends to conjure up the images and sounds of traditional soul gospel and leaves out the current contemporary Christian music (CCM). Therefore the genre field and some categories were renamed as Gospel/Contemporary Christian Music. Since 2012, there have been a small number of adjustments made to the list of categories and genre fields. The number of categories has gone up from 78 in 2012 to 82 in 2014. Nomination process Record companies and individuals may submit recordings to be nominated. Nominations are made online and a physical copy of the work is sent to the National Academy of Recording Arts and Sciences. Once a work is entered, reviewing sessions are held, by more than 150 experts from the recording industry, to determine whether the work is eligible and entered in the correct category for official nomination. The resulting list is circulated to all NARAS members, each of whom may vote to nominate in the general field (Record of the Year, Album of the Year, Song of the Year, and Best New Artist) and in no more than nine out of 30 other fields on their ballots. The five recordings that earn the most votes in each category become the nominees. There may be more than five nominees if there is a tie in the nomination process. Whereas members of the Academy of Motion Picture Arts and Sciences are generally invited to screenings or are sent DVDs of movies nominated for Oscars, NARAS members do not receive nominated recordings. After nominees have been determined, final voting ballots are sent to Recording Academy members, who may then vote in the general fields and in no more than eight of the 30 fields. NARAS members are encouraged, but not required, to vote only in their fields of expertise. Ballots are tabulated secretly by the major independent accounting firm Deloitte Touche Tohmatsu. Following the tabulation of votes the winners are announced at the Grammy Awards. The recording with the most votes in a category wins and it is possible to have a tie. Winners are presented with the Grammy Award and those who do not win are given a medal for their nomination. In both voting rounds, Academy members are required to vote based upon quality alone, and not to be influenced by sales, chart performance, personal friendships, regional preferences or company loyalty. The acceptance of gifts is prohibited. Members are urged to vote in a manner that preserves the integrity of the academy. The eligibility period for the 2013 Grammy Awards was October 1, 2011 to September 30, 2012. Venue Main article: List of Grammy Award ceremony locations Prior to 1971, the Grammy Award ceremonies were held in different locations on the same day. Originally New York City and Los Angeles were the host cities. Chicago joined being a host city in 1962, and then Nashville became the fourth location in 1965. The 1971 ceremony, held at the Hollywood Palladium in Los Angeles, was the first to take place in one location. The ceremony was then moved to Madison Square Garden's Felt Forum in New York City, and then Nashville's Tennessee Theatre in the following two years. Then from 1974 to 2003, the Grammys were held in various venues in New York City and Los Angeles. Notable locations included New York City's Madison Square Garden and Radio City Music Hall; and Los Angeles' Shrine Auditorium, the Staples Center and the Hollywood Palladium. In 2004, the Staples Center became the permanent home of the award ceremonies. The Grammy Museum was built across the street from Staples Center in LA Live to preserve the history of the Grammy Awards. Embedded on the sidewalks at the museum streets are bronze disks, similar to the Hollywood Walk of Fame, honoring each year's top winners, Record of the Year, Best New Artist, Album of the Year, and Song of the Year. Leading winners Main article: Grammy Award records With 31 Grammy Awards, Sir Georg Solti is the artist with the most Grammy wins. Alison Krauss is the biggest winner among female artists with 27 awards. U2, with 22 Grammy Awards, holds the record for most awards won by a group.[citation needed] Criticism The Grammy Awards has received criticism from various recording artists and music journalists. When his band Pearl Jam won a Grammy in the category Best Hard Rock Performance in 1996, singer Eddie Vedder commented on stage: "I don't know what this means. I don't think it means anything." Glen Hansard, leader of the Irish rock group The Frames, stated in 2008 that the Grammys represent something outside of the real world of music "that's fully industry based." He said he wasn't that interested in attending that year's ceremony, even though he had been nominated for two different awards. Maynard James Keenan, lead singer of metal band Tool, did not attend the Grammy Awards ceremony to receive one of their awards. He explained his reasons: I think the Grammys are nothing more than some gigantic promotional machine for the music industry. They cater to a low intellect and they feed the masses. They don't honor the arts or the artist for what he created. It's the music business celebrating itself. That's basically what it's all about. It has also been criticized for generally awarding or nominating more commercially successful albums rather than critically successful albums. In a 2011 article, Los Angeles Times writer Randall Roberts was critical of the nominations for the 54th Grammy Awards, particularly for the Album of the Year category, noting the exclusion of Kanye West's My Beautiful Dark Twisted Fantasy, "the most critically acclaimed album of the year, a career-defining record", as a snub in favor of nominating less substantial albums. Roberts went on to criticize the Grammy Awards for being "mired in the past" and out of touch with "new media" and trends amongs music listeners such as music sharing, stating: The major nominations for the 54th annual awards clearly show that the recording academy has been working overtime to be all-inclusive, but more significantly, they also reveal a deep chasm between its goals and the listening habits of the general population. [...] And if one were to measure the vitality of American music through the filter of the Grammy nominations for song of the year and record of the year, one might think the economy wasn't the only thing that was sluggish. [...] [T]he focus is still on the old music industry model of cash-cow hits, major label investments and commercial radio. [...] Falling behind the times is nothing new for the Grammys, but once they've lost sight of the artistry that makes music soar, they'll not just be irrelevant, they'll be out of business. —Randall Roberts In an article for Time, journalist Touré also responded to the snub and expressed his general displeasure with the awards, stating "I don’t pretend to understand the Grammys. I have never been able to discern a consistent logic around who gets nominated or who gets statues. I comprehend the particular logic of the Oscars, but not the big awards for music. My normal state of confusion around what drives Grammy decisions was exponentialized this week when, to the shock of many, Kanye’s masterpiece My Beautiful Dark Twisted Fantasy was not nominated for a Grammy for Album of the Year." He went on to compare understanding the Grammy Awards to Kremlinology and commented on The Recording Academy's exclusion of more "mature" hip hop albums as Album of the Year nominees, noting that it occasionally opts to nominate "pop-friendly" hip hop albums instead. In a 2011 profile for The New York Times following the 53rd Grammy Awards, frontman Justin Vernon of indie band Bon Iver was asked his opinion of the Grammys and how he would react to a nomination for his group, to which he responded, You know I was thinking about that a couple of months ago, someone asked me that, and I was like "I would go and I would" – and I don’t think the Bon Iver record is the kind of record that would get nominated for a Grammy – "I would get up there and be like, 'This is for my parents, because they supported me,' because I know they would think it would be stupid of me not to go up there. But I kinda felt like going up there and being like: "Everyone should go home, this is ridiculous. You should not be doing this. We should not be gathering in a big room and looking at each other and pretending that this is important." That's what I would say. He reaffirmed this sentiment and felt the Grammys are held in too, saying: [Ninety-eight] percent of the people in that room, their art is compromised by the fact that they’re thinking that, and that they’re hoping to get that award. And who is that award given by? It’s like they think it’s literally handed down by the musical-history gods. And I don’t know who the voters are. Like, I have a friend who’s a voter who was like, “I had to be a voter because I don’t trust the other voters.” And I was like, “Me either!” And it’s just not important and people spend too much time thinking about it. —Justin Vernon Bon Iver subsequently received four nominations in November for the 54th Grammy Awards. After winning the award, Vernon said in his acceptance, "It's really hard to accept this award. There's so much talent out here [...] and there's a lot of talent that's not here tonight. It's also hard to accept because you know, when I started to make songs I did it for the inherent reward of making songs, so I'm a little bit uncomfortable up here." In his article "Everything Is Praised Again", Jon Caramanica of The New York Times criticized Grammy voters for being "conservative" and disregarding more "forward-looking" music, and wrote in response to the 54th Grammy Awards, "for the umpteenth time, the Grammys went with familiarity over risk, bestowing album of the year honors (and several more) on an album that reinforced the values of an older generation suspicious of change." He cited the Grammy successes of Lauryn Hill's The Miseducation (1999), Norah Jones' Come Away with Me (2003), and Adele's 21 (2011) as examples of "the Grammys dropp[ing] a boatload of awards on a young female singer-songwriter and her breakthrough album." Of Kanye West's absence from the ceremony, Caramanica stated, "He didn’t even bother to show up for the broadcast, which was well enough, because hip-hop was almost completely marginalized". In an article for The Huffington Post, music executive and author Steve Stoute criticized the Recording Academy and the Grammy Awards for having "lost touch with contemporary popular culture" and noted "two key sources" for it: "(1) over-zealousness to produce a popular show that is at odds with its own system of voting and (2) fundamental disrespect of cultural shifts as being viable and artistic." Stoute accused them of snubbing artists with more cultural impact, citing respective losses by the critical and commercial successes in Eminem's The Marshall Mathers LP (2000) and Kanye West's Graduation (2007) in the Album of the Year category, and stated: As an institution that celebrates artistic works of musicians, singers, songwriters, producers and technical specialists, we have come to expect that the Grammys upholds all of the values that reflect the very best in music that is born from our culture. Unfortunately, the awards show has become a series of hypocrisies and contradictions, leaving me to question why any contemporary popular artist would even participate. [...] While there is no doubt in my mind of the artistic talents of Steely Dan or Herbie Hancock, we must acknowledge the massive cultural impact of Eminem and Kanye West and how their music is shaping, influencing and defining the voice of a generation. It is this same cultural impact that acknowledged the commercial and critical success of Michael Jackson's Thriller in 1984. —Steve Stoute TV broadcasts and ratings Prior to the first live Grammys telecast in 1971 on American Broadcasting Company (ABC), a series of taped annual specials in the 1960s called The Best on Record were broadcast on National Broadcasting Company (NBC). The first Grammy Award telecast took place on the night of November 29, 1959, as an episode of the NBC anthology series Sunday Showcase, which was normally devoted to plays, original TV dramas, and variety shows. Until 1971, awards ceremonies were held in both New York and Los Angeles, with winners accepting at one of the two. Pierre Cossette bought the rights to broadcast the ceremony from the National Academy of Recording Arts and Sciences and organized the first live telecast. CBS Broadcasting bought the rights in 1973 after moving the ceremony to Nashville, Tennessee; the American Music Awards were created for ABC (by Dick Clark) as a result. The Recording Academy announced on June 21, 2011 that it had reached a new deal with CBS to keep the awards show on the network for another 10 years. CBS also broadcasted the annual nominations concert special on November 30, 2011 from Los Angeles. The Grammys aired on February 12, 2012. The 2011 Grammy Award show had 26.6 million viewers. See also Brit Awards, the British equivalent. Juno Award, the Canadian equivalent. Latin Academy of Recording Arts & Sciences Latin Grammy Award Notes and references External links Media related to Grammy Awards at Wikimedia Commons Official website Grammy Awards winners at Grammy.com (searchable database)